A behind-the-scenes look at Michael doing a recording test of Steve’s Minecraft profile on the MacBook Pro. It seems to have been a success!
Our recording setup on a MacBook Pro 13 Inch from 2012:
OBS Studio: https://obsproject.com/
We use OBS Studio for recording, using full display capture. The MacBook Pro has a native resolution of 1280×800. This resolution can cause problems in editing because of its non-standard aspect ratio. Fortunately, the newer MacOS is capable of forcing the resolution to 720p. You can configure this by going to “System Preferences” then “Displays”. Hold down the “Option” key and click on “Scaled”. This will unlock more resolutions in the list, including 720p.
Next we have the problem of getting the game’s audio to both OBS Studio and the player’s headphones. We do this with the help of SoundFlower and a “multi-output device”. You can create multi-output devices in the “AudioMIDI Setup” utility. This device will take whatever audio it receives and send it to two or more other devices. We configure it to output to both the player’s headphones and Soundflower. We then configure OBS Studio to record audio from Soundflower. Next the multi-output device is set as the system default and both the player and OBS Studio can hear the game!
Because we play multiplayer games, we also need to be able to communicate with each other. For this, we use Discord. Discord is a light-weight and easy to use Voice-over-IP and chatroom application. It was designed with gamers in mind and does its job well.
After four months ironing out issues with our video production pipeline, recording Don’t Starve Together is finally a success! New episodes coming soon to the bit.ly/ITSGaming YouTube channel.
A behind-the-scenes look at the automated dialogue replacement process that we went through for the upcoming vlog! The vlog will be posted shortly as well. Stay tuned!
Automated Dialogue Replacement (ADR) is a process to recover from bad audio recordings. You might have good footage, but the room you recorded in was too noisy and you can’t make out what is being said. ADR fixes this problem by completely replacing the audio with a clean copy.
There are two types of ADR. The one you choose will depend on your workflow and what your end goal is. In the first type of ADR, the talent watches a looping section of footage where the audio needs to be replaced. Usually they are given a buffer at the beginning so that they have time to get ready to record a new take. The buffer may include a series of beeps or some other audible warning. They then recite their lines in sync with the video. During this process, they cannot hear the original audio. This is useful if you want to get a different performance. It’s also useful if the mimicked nature of the second ADR method is too obvious.
In the second type of ADR, you setup a looping section like in the first type. But, this time the talent can hear the original audio. Their goal is to repeat the lines over and over again. They get to the point where they aren’t consciously speaking individual words. This is usually much easier to sync with the footage, but can sound mono-tone.